Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 25, 2023 | Sotheby's | New York | Master Works on Paper from Five Centuries | 72 | $****** - ****** | Two studies of turbaned men |
Works on Paper
8.3 x 8.1 cm (3.27 x 3.19 in)
Pen and brown ink;
W.W. Knighton;
John Postle Heseltine (1843-1929), London (L.1507);
P. von Schwabach;
Dr. Meyer,
by descent to Mrs. E. Meyer;
sale, Amsterdam, Christie's, 22 November 1982, lot 17 (as Rembrandt Harmensz. van Rijn),
where purchased by A.M. ('Ton') van den Broek (1932-1995), Haarlem (bears his mark, not in Lugt, on the mount)
E. Michel, Rembrandt , 1893, no. 7 (as Rembrandt);
C. Hofstede de Groot, Die Handzeichnungen Rembrandts , 1906, no. 1021 (as Rembrandt);
Original Drawings by Rembrandt in the Collection of J.P.H ., 1907, no. 5 (as Rembrandt);
W.R. Valentiner, Rembrandt. Des Meisters Handzeichnungen , Stuttgart 1925, no. 264 (as Rembrandt);
O. Benesch, Rembrandt, Werk und Forschung , 1935, p. 16 (as Rembrandt);
O. Benesch, The Drawings of Rembrandt , I, 1954 and 1973, no. 155, fig. 185 (as Rembrandt, identified as a study for the artist's painting, Susanna and the Elders, in the Mauritshuis, The Hague);
Rembrandt in the Collections of the National Gallery of Victoria , exh. cat., Melbourne, 1988, p.56, n.36;
J. Bruyn et al., A Corpus of Rembrandt Paintings, vol.3, The Hague 1989, p.200 (no reason to connect with The Hague Susanna of 1636);
H. Bevers, 'Das Susanna-Thema im Werkstattzusammenhang: Zeichnungen', in Rembrandts Berliner Susanna und die beiden Alten, exh. cat., Berlin 2015, pp.51-2, fig.13 (as Rembrandt School, circa 1646-47);
M. Royalton-Kisch, online revision of Benesch 1954/1973 (https://rembrandtcatalogue.net), no. 155 (as Rembrandt? 1645-1647?)
Property from the Collection of A.M. ('Ton') van den Broek (1932-1995)
Attributed to Rembrandt Harmensz. van Rijn
Leiden 1606 - 1669 Amsterdam
Two studies of turbaned men
Pen and brown ink; lower left corner cut
83 by 81 mm; 3¼ by 3¼ in.
